Solo: A Star Wars Story Movie Review

It’s no secret that there was some behind-the-scenes controversy in making SOLO: A STAR WARS STORY.  The fresh, young, creative directing team of Phil Lord and Christopher Miller (THE LEGO MOVIE, 21 JUMP STREET) were hired and reportedly mostly finished with the film when Disney and the co-directors decided to part ways due to creative differences.  In walks a veteran and widely considered safe director, Ron Howard, to take the reigns, reshoot and finish the film.  My belief in the film definitely wavered after this move.  However, I think I can safely say that the end product of SOLO: A STAR WARS STORY is a fun, adventurous ride with just the right amount of tension, humor, and personality to make this a worthy installment to the Star Wars franchise.

Solo: A Star Wars Story

Years before the rebellion, SOLO: A STAR WARS STORY follows the early rise of a young, crafty Han Solo (Alden Ehrenreich).  Surviving on the sketchy streets of Corellia, Solo seems to have a knack and confidence to get out of any situation.  Unfortunately, his partner and first love, Qi’ra (Emilia Clarke), isn’t quite as lucky when they attempt to escape the planet and Solo vows to find a ship of his own to get back to her as soon as possible.  Thankfully, things don’t play out as conventionally as in the mind of young Solo.  While his motivation is the catalyst for the story, the plot takes some turns and introduces Han to the dangerous, unpredictable yet freeing life of a smuggler… And probably more importantly, a few key players along the way.

Solo: A Star Wars Story

The set pieces are exquisite, staging beautiful locations and cleverly weaving in exciting action with some surprising tension.  However, the strong performances and the personality that comes with them is what ultimately sells Solo. Thankfully, the film oozes charisma with plenty of colorful characters.  How Han meets his eventual co-pilot and loyal companion Chewbacca (Joonas Suotamo) or the competitive relationship with the charming and cheating gambler Lando Cairissian (Donald Glover) are great moments. But the influence of a team of shady smugglers led by Beckett (Woody Harrelson) or Lando’s sassy droid L3-37 (voiced by Phoebe Waller-Bridge), who definitely has her own independence, fighting for equality for her kind are the new additions that give the story a deeper identity from what we already know.

Unlike Episodes 1-3, SOLO doesn’t simply serve the purpose to talk about or explain the movies that we’ve already seen. However, that’s not to say its free of this charge. There are plenty of moments where the audience is force-fed a callback to a different Star Wars episode.  But there is a bit of humor or even grand gesture that helps these somewhat cheesy moments work and even on some occasion give fans a “Woohoo” moment.  For the most part, many of the scenes are able to both provide fan-service and deepen the characters organically furthering the action in the story.

Solo: A Star Wars Story

Providing an almost Indiana Jones spirit, the screenplay by longtime Star Wars writer Lawrence Kasdan and his son Jonathan Kasdan, does an admirable job of delivering an easy to swallow, adventurous tone. While the two-hour-and-fifteen-minute runtime is a touch too long, the pace moves quickly. Alden Ehrenreich is an excellent young Han, full of rebelious, scoundrel-like moxie.  But what ultimately convinces the audience to buy into the new face of such a beloved character is the familiarity sights of Chewie and the Millennium Falcon, who are both the most important counterparts to our buddy Han.

SOLO: A STAR WARS STORY is not groundbreaking as one of the great Star Wars storylines, but it’s a joyful ride and insightfully reinforces everything we know and love about one of the galaxy’s most interesting characters.  On a couple of occasions it brought my audience to applause and on plenty more occasions to audible laughs. Maybe SOLO does play it somewhat safe, but it’s also a success. I for one, look forward to the next adventure with any of these characters. One might even say, “I’ve got a good feeling about this.”


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