The biggest question around THE KILLER was why would a notoriously choosy and meticulous director like David Fincher tackle what appeared to be a straightforward hitman-o...
Describing what makes a romantic comedy work reminds me of legal scholars trying to describe vague words. Basically, audiences don’t always know what makes a good...
ME TIME is one of the most unfunny movies I’ve seen in the last 20 years and I’m considering dramas in that statement as well. Every scene in Kevin Hart’s latest ...
For those that are unfamiliar with European football (I’m not calling it “soccer”) or the global impact the sport has, I want to point out a statistic t...
As an avid sports fan, not many stories have escaped me over the last 30 years. But I’ll be the first to admit that sometimes I tend to take the ESPN’s word for it ...
By now, you’ve probably become jaded any time Netflix promises a high quality, big budget action film. Even with A-list stars and an A-list director, people are right t...
I imagine SPIDERHEAD served as a sort of pallet cleanser for director Joseph Kosinski after working on the mega-blockbuster and high pressure TOP GUN: MAVERICK. SPIDERH...
Netflix’s SENIOR YEAR feels like a movie that was made about 30 years too late and with the wrong cast. Although not technically a body swap movie, it has a lot of the ...
After a few years of duds, I’m not very weary any time I sit down to watch a big budget action adventure movie on Netflix. It’s one thing to give creative freedom and...
If you accept early on that there’s nothing special or original about RED NOTICE and it’s just a vehicle for Dwayne Johnson and Ryan Reynolds to rib each other and th...
